Final+Submissions

......................................................................................................................................................................................................... Reading Discussions: ......................................................................................................................................................................................................... 1. Timothy Sullivan (tsulliva@gsd.harvard.edu), Tangible Bits 2. Stefano Andreani (andreani@gsd.harvard.edu) Digital Culture in Architecture, , 3.Catherine Winfield (winfield@mit.edu), What is Interaction? Are There Different Types? [|Print-Ready Reading] 4. Matías Imbern (mimbern@gsd.harvard.edu) The Architectural Relevance of Cybernetics 5. Qi Su (qsu@gsd.harvard.edu) Immanent Domain Pervasive Computing and the Public Realm 6. Christian Ervin (cervin@gsd.harvard.edu) The Poetics of Augmented Space: Learning from Prada [[|PDF]] 7. Ted Diehl (tdiehl@gsd.harvard.edu) 8. Jose Luis Garcia del Castillo (jgarciad@gsd.harvard.edu) - The Architectural Relevance of Gordon Pask 9. Matthew Conway (mconway@gsd.harvard.edu), Forms of Time and of the Chronotope in the Novel 10.Stephanie Saltzman (saltzman@gsd.harvard.edu), The Computer for the 21st Century ......................................................................................................................................................................................................... Casestudies: ......................................................................................................................................................................................................... 1. Timothy Sullivan (tsulliva@gsd.harvard.edu) Terra Nullius : 1-1 Australia 1-2 Birndiwirndi - Worlds apart 1-3 24 hr Panorama 1-4 years 1-5 1945-1998 1-6 Atom man 1-7 Chernobyl 1-8 wastelands 1-9 cameraTrap 1-10 Panopticon
 * Sousveillance: Inventing and Using Wearable Computing Devices for Data Collection in Surveillance Environments ||

2. Stefano Andreani (andreani@gsd.harvard.edu) The dis-appearance of Technology and re-appearance of Nature, , 2-1 Cloudscapes, by Transsolar + Tetsuo Kondo architects 2-2 Hylozoic Ground, by Philip Beesly and Rachel Armstrong 2-3 H.O.R.T.U.S., by ecoLogicStudio 2-4 Warped, by Matthew Hume 2-5 Interactive Curtain, by Hyperbody 2-6 Reef, by Rob Ley 2-7 Shoal, by Troika 2-8 Techno-Naturology, by Elain Ng yan Ling 2-9 Micro Synergetics, by Sascha Bohnenberger 2-10 Still Life, by Scott garner

**3. __Shadows__ by Catherine Winfield, __winfield@mit.edu [|Print-Ready Case-Study]__** **Research Theme's Short Abstract** (250 words) **:** Shadows appear and disappear based on environmental light conditions. During their temporal existence shadows provide time and spatial information, they provide a sense of depth, define the geometry of our environment and can inform us about time of day, even seasonal changes. The ability to perceive ourselves and our surroundings is based on our shadows, when our shadows are mimicked or manipulated our ability to gather information from our surroundings disappears 01. Shadowplay by Kyle McDonald 02. Augmented Shadow by Joon Y. Moon 03. Streams and Flows commissioned by Stavanger, DK 04. Shadow Bag by Scott Sona Snibbe 05. Curious Creatures by Jimmy McGilchrist 06. Shadowing by Pipo Tafel 07. Real Life is Rubbish by Tim Noble and Sue Webster 08. Body Movies by Rafael Lozano-Hemmer 09. Shadow 3 by Shilpa Gupta 10. Letterheads by Simurai

4. Matías Imbern (mimbern@gsd.harvard.edu) The Beauty of Ephemeral **Reflection:** 01. 4 Beams 02. AIDS Memorial - Infinite Forest <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">03. Serpentine Gallery Pavilion 2009 <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**Lightness:** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">04. Balloon <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">05. Magic Table <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">06. KAIT Workshop <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**Light Effects:** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">07. Breaking the Edge <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**Chemical Reaction:** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">08. Bar 89 <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**Blurry Boundaries:** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">09. UK Pavilion Expo Shanghai 2010 <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">10. Museum of Art Glass Pavilion in Toledo <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**Subtle Movement:** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">11. Electronic Origami: Input/Output blintz folding <span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">12. Animated Vines

<span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">**5. __Architecture of Memory__ by Ted Diehl, __tdiehl@gsd.harvard.edu__** <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">[|link] to PDF Print-Ready Format <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">01. 9/11 Memorial <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">02. Hypercube <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">03. Eraser <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">04. Resounding Arches <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">05. All Those Vanished Engines <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">06. Ephemeral Memorials <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">07. Shifting Time <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">08. Footsteps Canon <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">09. Echo Evolution <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">10. Vietnam Veterans Memorial <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">11. Ise Grand Shrine <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">12. The Memory Machine
 * <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">MEMORY OF A SPACE **
 * <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">MEMORY OF A MOMENT **
 * <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">MEMORY OF A PERSON **

<span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**6. Dereliction by Jose Luis Garcia del Castillo, jgarciad@gsd.harvard.edu**

<span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">**Research Theme:**

<span style="font-family: Arial,Helvetica,sans-serif; font-size: 80%;">In architecture, as buildings are objects created by man, they are usually erected to be inhabited by man. It is in their full use and maintenance that architecture stands at its greatest splendor. Or at least, that is the most accepted convention. But, although architecture is meant to be lived, there are plenty of reasons that can break this relation: obsolescence, budget, comfort, disaster, fear... all of them making the building not apt for its purpose anymore, and hence leading to one of the most interesting states in architecture: //dereliction//. This research will go through a variety of case studies where the disappearance in architecture is manifested in the //presence of time// and the //absence of humans//. <span style="display: block; font-family: Arial,Helvetica,sans-serif; font-size: 80%; height: 1px; left: -40px; overflow: hidden; position: absolute; top: -25px; width: 1px;">01. Project Name02. Project Name03. Project Name

<span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">01. Assorted works, by Thomas Jorion <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">02. 'The world without us', by Alan Weismann + 'Life after people', by The History Channel <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">03. Assorted paintings, by Caspar David Friedrich <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">04. 'Bank of England' (London, UK), by Joseph Gandy <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">05. Tomb Raider series, by Eidos Interactive <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">06. Brion Cemetery (near Firenze, IT), by Carlo Scarpa <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">07. Convento do Carmo (Lisbon, PT) + Old Town of Belchite (Zaragoza, ES) + Jedburgh Abbey (Jedburgh, UK) <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">08. Ruinenberg (Postdam, DE), by Frederick the Great <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">09. Industrial Mining Legacy (Linares, ES) <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">10. Old Yugoslavian Republic monuments (various locations, YU), by Josip Tito <span style="color: #000000; font-family: Arial,Helvetica,sans-serif; font-size: 80%;">11. Michigan Theater (Detroit, US), by Rapp & Rapp

<span style="font-family: Arial,Helvetica,sans-serif;">9. Christian Ervin ( **__<span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">cervin@gsd.harvard.edu __**) Entropy [[|PDF]] <span style="font-family: Arial,Helvetica,sans-serif; line-height: 15px;">9-1. <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">Chocolate Bunny <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;"> by Lernert & Sander <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-2. <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">Disintegration Loops <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;"> by William Basinski <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-3. Digital Decay by Claire L. Evans <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-4. Lossless by Rebecca Baron & Douglas Goodwin <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">( [|Mandala Destruction] ) <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-5. <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">I Am Sitting In A Room <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;"> by Alvin Lucier <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-6. Eroded Man Series by Kim Keever <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-7. The Class of 1988 & The Class of 1967 by Jason Savalon <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-8. <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">Toshi Shibata <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-9. The Nazca Lines <span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif; font-size: 10px;">9-10. Roundup Ready System by Monsanto

<span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">**10. Disappearance by Stephanie Saltzman, __saltzman@gsd.harvard.edu__** <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">01. Tape Recorders by Rafael Lozano-Hemmer <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">02. One Hundred and Eight by Nils Volker <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">03. Projection One by Andrew Payne and Eddy Man Kim <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">04. Grasp Pendulum by ART+COM <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">05. Glass Box by Jussi Angesleva <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">06. Body Scanner by Jussi Angesleva <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">07. Cityscape by Legoman and Mandril <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">08. Mecaniques Discursives by Legoman and Fred Penelle <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">09. What'll It Take by Graham Coxon and Ninian Doff <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">10. Burberry Fashion Show Beijing 2011 <span style="font-family: Arial,Helvetica,sans-serif; font-size: 10px;">11. Air France Commercial by Michel Gondry


 * 11. Object Play: Environment Object Scale by Matthew Conway, mconway@gsd.harvard.edu**

01. 8-Bit Invader by Pavel Novak 02. Bubbles by Material & Application 03. Dune 4.2 by Studio Roosegaarde 04. E-Static Shadows by Zane Berzina 05. Scenocosme by Gregory Lasserre & Anais met den Ancxt 06. Turntable Rider by Cogoo 07. Audio Cubes by Percussa 08. Wearable Absence by Barbara Layne 09. Intimacy 2.0 by Studio Roosegaarde 10. Performative Ecologies by Ruairi Glynn


 * 12.****<span style="background-color: #ffffff; font-family: Arial,Helvetica,sans-serif;">Designed Chronologically Emergence ****by Qi Su, qsu@gsd.harvard.edu [[|Scribd]]**

01.BLUR 02.Spidernethewood 03.Hybrid Muscle 04.Sound Architecture 05.A history of the sky 06.Winchester House 07.Sagrada Familia 08. Nature is the best designer 09. Touch Me 10. [|Starry Night]

......................................................................................................................................................................................................... Design Project: ......................................................................................................................................................................................................... 1. #8, Tim Sullivan (tsulliva@gsd.harvard.edu), Christian Ervin (cervin@gsd.harvard.edu),numberEight 2. Traces, Catherine Winfield (winfield@mit.edu), Theodore Diehl (tdiehl@gsd.harvard.edy), Traces [|Print-Ready Design] 3. Gradus Resonare, Matthew Conway (mconway@gsd.harvard.edu), Stephanie Saltzman (ssaltzman@gsd.harvard.edu), Gradus Resonare 4.(In)visible beauty, Matías Imbern (mimbern@gsd.harvard.edu), Qi Su (qsu@gsd.harvard.edu) 5. Manifold Warp, by Jose Luis Garcia del Castillo (jgarciad@gsd.harvard.edu) & Stefano Andreani (andreani@gsd.harvard.edu) .........................................................................................................................................................................................................